Elisha Smith-Leverock's visually appealing Dadaist promo for Esser's Enmity was shot over one day (on 9 rolls of 16mm) echoing the stark nature of the soundtrack to good effect.

Elisha Smith-Leverock's visually appealing Dadaist promo for Esser's Enmity was shot over one day (on 9 rolls of 16mm) echoing the stark nature of the soundtrack to good effect. "The work of Hans Richter was a big source of inspiration for this video," explains Elisha. "There is something very rhythmical and entrancing about his films, which I feel is mirrored in Esser's music. "I also like the naivety and simplicity of the techniques, the rhythmical jump-cuts and the impact of repeated images. Ryan Boucher, the editor, did an amazing job at taking these types of editing techniques and making them feel fresh and new." <iframe width="560" height="315" src="http://www.youtube.com/embed/1OYVGsg2dT0" frameborder="0" allowfullscreen=""/>

"The work of Hans Richter was a big source of inspiration for this video," explains Elisha. "There is something very rhythmical and entrancing about his films, which I feel is mirrored in Esser's music.

Elisha Smith-Leverock's visually appealing Dadaist promo for Esser's Enmity was shot over one day (on 9 rolls of 16mm) echoing the stark nature of the soundtrack to good effect. "The work of Hans Richter was a big source of inspiration for this video," explains Elisha. "There is something very rhythmical and entrancing about his films, which I feel is mirrored in Esser's music. "I also like the naivety and simplicity of the techniques, the rhythmical jump-cuts and the impact of repeated images. Ryan Boucher, the editor, did an amazing job at taking these types of editing techniques and making them feel fresh and new." <iframe width="560" height="315" src="http://www.youtube.com/embed/1OYVGsg2dT0" frameborder="0" allowfullscreen=""/>

"I also like the naivety and simplicity of the techniques, the rhythmical jump-cuts and the impact of repeated images. Ryan Boucher, the editor, did an amazing job at taking these types of editing techniques and making them feel fresh and new."

Elisha Smith-Leverock's visually appealing Dadaist promo for Esser's Enmity was shot over one day (on 9 rolls of 16mm) echoing the stark nature of the soundtrack to good effect. "The work of Hans Richter was a big source of inspiration for this video," explains Elisha. "There is something very rhythmical and entrancing about his films, which I feel is mirrored in Esser's music. "I also like the naivety and simplicity of the techniques, the rhythmical jump-cuts and the impact of repeated images. Ryan Boucher, the editor, did an amazing job at taking these types of editing techniques and making them feel fresh and new." <iframe width="560" height="315" src="http://www.youtube.com/embed/1OYVGsg2dT0" frameborder="0" allowfullscreen=""/>