Achieving great results with contrasting blue and yellow lighting, Joe Connor matches the dynamics of Feeder's Children Of The Sun in this simple and clean but nevertheless very effective promo - his follow-up to his excellent Lebowski-esque video for Band of Skulls' Bruises.

Achieving great results with contrasting blue and yellow lighting, Joe Connor matches the dynamics of Feeder's Children Of The Sun in this simple and clean but nevertheless very effective promo - his follow-up to his excellent <em>Lebowski</em>-esque video for Band of Skulls' Bruises. "The 'sun' was constructed out of tungsten lighting, and it measured over 20ft in diameter," explains Joe. "It was all live and real in camera - no suns were added, or harmed in the making of the video!" <iframe width="560" height="315" src="http://www.youtube.com/embed/EJ0yX3xpXk0" frameborder="0" allowfullscreen=""/>

"The 'sun' was constructed out of tungsten lighting, and it measured over 20ft in diameter," explains Joe. "It was all live and real in camera - no suns were added, or harmed in the making of the video!"

Achieving great results with contrasting blue and yellow lighting, Joe Connor matches the dynamics of Feeder's Children Of The Sun in this simple and clean but nevertheless very effective promo - his follow-up to his excellent <em>Lebowski</em>-esque video for Band of Skulls' Bruises. "The 'sun' was constructed out of tungsten lighting, and it measured over 20ft in diameter," explains Joe. "It was all live and real in camera - no suns were added, or harmed in the making of the video!" <iframe width="560" height="315" src="http://www.youtube.com/embed/EJ0yX3xpXk0" frameborder="0" allowfullscreen=""/>