The iconoclastic Tobias Stretch makes his second successive video involving real humans in this deranged fantasy for Post War Years' All Eyes, with a girl stalked by a couple of Tobias's distinctive sculpture/puppet creations... But with its highly disjointed timeline, even the strangest things are rarely what they seem.

The iconoclastic Tobias Stretch makes his second successive video involving real humans in this deranged fantasy for Post War Years' All Eyes, with a girl stalked by a couple of Tobias's distinctive sculpture/puppet creations... But with its highly disjointed timeline, even the strangest things are rarely what they seem. Essentially more evidence that Tobias - whose <em>piece de resistance</em> for Radiohead's Weird Fishes/Arpeggi was shown at the Odeon Leicester Square on Tuesday (November 29th) as part of BUG's Radiohead special - is a completely individual and extraordinary filmmaker.

Essentially more evidence that Tobias - whose piece de resistance for Radiohead's Weird Fishes/Arpeggi was shown at the Odeon Leicester Square on Tuesday (November 29th) as part of BUG's Radiohead special - is a completely individual and extraordinary filmmaker.

The iconoclastic Tobias Stretch makes his second successive video involving real humans in this deranged fantasy for Post War Years' All Eyes, with a girl stalked by a couple of Tobias's distinctive sculpture/puppet creations... But with its highly disjointed timeline, even the strangest things are rarely what they seem. Essentially more evidence that Tobias - whose <em>piece de resistance</em> for Radiohead's Weird Fishes/Arpeggi was shown at the Odeon Leicester Square on Tuesday (November 29th) as part of BUG's Radiohead special - is a completely individual and extraordinary filmmaker.