Jonas Akerlund and Gaga's successor to the wonderful Paparazzi - the one that really established the now familiar 'damaged-diva' persona - is a phenomenon: 14 million hits on Youtube in three days, since it debuted as an exclusive to Vevo at midnight, New York time, on Thursday.

Jonas Akerlund and Gaga's successor to the wonderful Paparazzi - the one that really established the now familiar 'damaged-diva' persona - is a phenomenon: 14 million hits on Youtube in three days, since it debuted as an exclusive to Vevo at midnight, New York time, on Thursday. Gaga is a vengeful coutured sociopath and Beyoncé at her most bodacious in the Tarantino-influenced second half, but the lurid women's prison sequence - a perfect setting for a mischievous pair like Jonas and Gaga - is what makes this nine minute mini-movie (shot beautifully by Par Ekberg) so memorable.

Gaga is a vengeful coutured sociopath and Beyoncé at her most bodacious in the Tarantino-influenced second half, but the lurid women's prison sequence - a perfect setting for a mischievous pair like Jonas and Gaga - is what makes this nine minute mini-movie (shot beautifully by Par Ekberg) so memorable.

Jonas Akerlund and Gaga's successor to the wonderful Paparazzi - the one that really established the now familiar 'damaged-diva' persona - is a phenomenon: 14 million hits on Youtube in three days, since it debuted as an exclusive to Vevo at midnight, New York time, on Thursday. Gaga is a vengeful coutured sociopath and Beyoncé at her most bodacious in the Tarantino-influenced second half, but the lurid women's prison sequence - a perfect setting for a mischievous pair like Jonas and Gaga - is what makes this nine minute mini-movie (shot beautifully by Par Ekberg) so memorable.