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Run Toto Run’s Catch My Breath by Nicholas Bentley

Jimmy Brown - 19th Jan 2010

<strong><em>Nick Bentley on the making of the video for Run Toto Run's Catch My Breath</em></strong> "The video was shot over one extremely long day in East Side Studios on the Red One camera. David Wyatt (DoP) did a great job with the very, very limited budget (1k) to create a strong look that followed my original influences/references of The Wizard of Oz and Kenneth Anger's Rabbit Moon, amongst other reference points. "David suggested using Anamorphic lenses but I wasn't keen on using the cinematic aspect ratio as it didn't seem to fit the tone I wanted to give this video idea but did really like the way lights and skin tones work with the suggested lenses so we shot it all 16:9 safe and decided to crop it in post. "Sam Jones did a great edit at Cut and Run before I took it over to Luke at the Mill for a really strong grade."

Nick Bentley on the making of the video for Run Toto Run's Catch My Breath

<strong><em>Nick Bentley on the making of the video for Run Toto Run's Catch My Breath</em></strong> "The video was shot over one extremely long day in East Side Studios on the Red One camera. David Wyatt (DoP) did a great job with the very, very limited budget (1k) to create a strong look that followed my original influences/references of The Wizard of Oz and Kenneth Anger's Rabbit Moon, amongst other reference points. "David suggested using Anamorphic lenses but I wasn't keen on using the cinematic aspect ratio as it didn't seem to fit the tone I wanted to give this video idea but did really like the way lights and skin tones work with the suggested lenses so we shot it all 16:9 safe and decided to crop it in post. "Sam Jones did a great edit at Cut and Run before I took it over to Luke at the Mill for a really strong grade."

"The video was shot over one extremely long day in East Side Studios on the Red One camera. David Wyatt (DoP) did a great job with the very, very limited budget (1k) to create a strong look that followed my original influences/references of The Wizard of Oz and Kenneth Anger's Rabbit Moon, amongst other reference points.

<strong><em>Nick Bentley on the making of the video for Run Toto Run's Catch My Breath</em></strong> "The video was shot over one extremely long day in East Side Studios on the Red One camera. David Wyatt (DoP) did a great job with the very, very limited budget (1k) to create a strong look that followed my original influences/references of The Wizard of Oz and Kenneth Anger's Rabbit Moon, amongst other reference points. "David suggested using Anamorphic lenses but I wasn't keen on using the cinematic aspect ratio as it didn't seem to fit the tone I wanted to give this video idea but did really like the way lights and skin tones work with the suggested lenses so we shot it all 16:9 safe and decided to crop it in post. "Sam Jones did a great edit at Cut and Run before I took it over to Luke at the Mill for a really strong grade."

"David suggested using Anamorphic lenses but I wasn't keen on using the cinematic aspect ratio as it didn't seem to fit the tone I wanted to give this video idea but did really like the way lights and skin tones work with the suggested lenses so we shot it all 16:9 safe and decided to crop it in post.

<strong><em>Nick Bentley on the making of the video for Run Toto Run's Catch My Breath</em></strong> "The video was shot over one extremely long day in East Side Studios on the Red One camera. David Wyatt (DoP) did a great job with the very, very limited budget (1k) to create a strong look that followed my original influences/references of The Wizard of Oz and Kenneth Anger's Rabbit Moon, amongst other reference points. "David suggested using Anamorphic lenses but I wasn't keen on using the cinematic aspect ratio as it didn't seem to fit the tone I wanted to give this video idea but did really like the way lights and skin tones work with the suggested lenses so we shot it all 16:9 safe and decided to crop it in post. "Sam Jones did a great edit at Cut and Run before I took it over to Luke at the Mill for a really strong grade."

"Sam Jones did a great edit at Cut and Run before I took it over to Luke at the Mill for a really strong grade."

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Jimmy Brown - 19th Jan 2010

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Credits

Production/Creative

Director
Nicholas Bentley
Producer
Charlotte Knight
Production Company
Gas&Electric

Camera

Director of Photography
David Wy

Choreography

Choreographer
Vikki Burns

Misc

Offline
Sam Jones
Online
Daniel B

Jimmy Brown - 19th Jan 2010

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