Huse has done something like this before. That was great, and this is pretty damn good too: one straightforward live performance, documenting a very tight band in a single take.

Huse has done something like this before. That was great, and this is pretty damn good too: one straightforward live performance, documenting a very tight band in a single take. In fact, in this case, a single shot. Good work, Richard Mott who hand-held the whole thing. Not even a Steadicam, for chrissakes. So never mind that are Joe and his pals are less Arctic Monkeys, more Razorlight.

In fact, in this case, a single shot. Good work, Richard Mott who hand-held the whole thing. Not even a Steadicam, for chrissakes.

Huse has done something like this before. That was great, and this is pretty damn good too: one straightforward live performance, documenting a very tight band in a single take. In fact, in this case, a single shot. Good work, Richard Mott who hand-held the whole thing. Not even a Steadicam, for chrissakes. So never mind that are Joe and his pals are less Arctic Monkeys, more Razorlight.

So never mind that are Joe and his pals are less Arctic Monkeys, more Razorlight.

Huse has done something like this before. That was great, and this is pretty damn good too: one straightforward live performance, documenting a very tight band in a single take. In fact, in this case, a single shot. Good work, Richard Mott who hand-held the whole thing. Not even a Steadicam, for chrissakes. So never mind that are Joe and his pals are less Arctic Monkeys, more Razorlight.