Director's Representation

Daniel Libman

Jean-Vital Joliat has directed a moving film - part-documentary, part-music video - that tells the story of the&nbsp;Innu-Aimun, indigenous people from the Cote Nord part of Quebec, told largely through the testimony of an indominatable female elder.The first half of the film has her recalling forced assimilation into Western ways - and worse - as a child at a Catholic residential school in the village of Meliotenam in the 1940s. The second half focusses upon the music - the band Matiu performing&nbsp;Tipatshimushtunan - against footage of daily life in the village and surroundings, beautifully captured by Joliat, and DoP Graham Gs, and the efforts of local people to reclaim their own culture.But as Joliat makes clear in the text that punctuates the film, this is just one example of a much bigger, under-reported story&nbsp;in Canadian history.[imgtoken data:1]&nbsp;&nbsp;"'Tipatshimushtunan' means 'tell us'&nbsp;in Innu-Aimun," he explains.&nbsp;"Through this song, that speaks about the cultural genocide experienced by the native people, amongst other things, I wanted to create a hybrid documentary and music video project, where the word, testimony, and a part of history, would be at the very heart of the artistic process."I also wanted to bring a story to light that is neither well known in Canada, nor around the world, in order to raise awareness. My intention was to do something beautiful and raw, almost improvised, to capture the beauty of this native community in an honest way. Innu means 'human being'&nbsp;and this project is essentially based on this term."[imgtoken data:2] &nbsp;

Canada

Jean-Vital Joliat

117 Records

Les Orphelins

Freshman

Steve Jolin

Graham Gs

Alexander Bain

Chris Kells

Charles-etienne Pascal

Shed

Manishan Kapesh

Matiu

Evelyne St-Onge

World

Matiu 'Tipatshimushtunan' by Jean-Vital Joliat

TIPATSHIMUSHTUNAN - MATIU

&nbsp;Jean-Vital Joliat directs a heartrending portrait of dementia in his promo for DE.VILLE.&nbsp;In the video for Water, a woman is shown looking after her husband with a range of day-to-day tasks, when he suddenly has a moment of lucidity.&nbsp;"I wanted to deal with the theme of dementia in a frontal and poetic way that brought me as close as possible to the documentary style," says Joliat. "The music sung in Arabic is a real poem and sounds like a tribute."The minimalist staging and cinematography allows the performances to breathe, exploring the intimate nature of their relationship and the sacrifices that are made in the name of love. Rich textures and a focus on bathing and water in general reflect the title of the track, whilst alluding to the fluid nature of our bodies and minds.&nbsp;

Daniel Libman

Director's Representation

Videos featuring Daniel Libman

2022 (2)

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