Ben Stancombe directs a pulsating promo for rising artist Charlie Jeer. The video for My Madonna boasts a mix of high-energy vignettes, interwoven with an assured performance by Charlie at its core. From studio to landscape, choreography to motorbike stunts, it's an ambitious and breathlessly-paced visual that marks a new era for sax player turned singer, who brings a soul-jazz flavour to his infectious pop.Impressive work from Ben Stancombe, better known as a talented musician and producer, working with the likes of AntsLive and Co3ltrane, showing he's also more than a dab hand as a music video director.

Partiboi69 becomes humanity's last hope for survival in PETR's highly entertaining video for the Australian electronic music producer and DJ and self-styled 'prophet of pleasure'. Taking the trademark high-octane, off the wall style of previous outings (like Double Drop) into new dystopian yet cinematic territory, the video for Redline is set in a near future where human reproduction has become a point of crisis. Partiboi69 is identified as the last fertile man on Earth - and that's the trigger for him to be subjected to a series of increasingly surreal indignities whilset incarcerated in a prison-like lab.To the pulsating beat of the banging techno of Redline, Partiboi69’s DNA is commodified; guards become increasingly obsessed; a wax figure in his likeness meets a crazed flamethrower; a group of anonymous children raise questions about their origin. He enters a datamoshing dreamscape, and meets a horse. But can he ever escape from his nightmarish ordeal?Filmed in Prague at a location with a layered history - a chateau once occupied by a senior Nazi figure during the Second World War which later became a communist metal factory - the real-world environment associated with cycles of control and industrial use forms the backdrop to this unhinged story (written by Partiboi69) centred on extraction and bodily autonomy. PETR's video - produced through Stink Films - is also a triumph of resourceful invention, with the world-building of the production realised through hands-on solutions. That included the wax head made by the director’s mother, or the extraction machine - strapped to Partiboi's genital area - handcrafted by local art directors out of recycled materials. “We did everything for real - the horse, the stunts, the torch," says PETR - whose credits include the UKMVA winning video for Son Lux's Flickers. "Partiboi69 and his daring energy pushed us all for the best and turned out to be the most fun I've had on set yet.”

Erik He creates a very cool futuristic vision for the catchy collaboration between Irish dance artist Jazzy and London-based DJ and producer East End Dubs.In the visual artist's first project since signing to Partizan, He has taken a counter-intuitive approach to the uptempo On A Wave. His work blends sculpture, performance and moving image into striking contemporary compositions, and this sensibility runs through the film’s clean, stylised design.The pair are performing in what appears to be a gallery space - it was shot in Wayne McGregor’s Hackney studio - captured in stylish compositions. The video leans into a cool, silver-toned palette and a minimalist set design to create a refined, electronic visual world that mirrors the track’s driving pulse. This sets the scene, then He gradually introduces subtle elements of VFX as the track's momentum builds.Jazzy, the Dublin-born singer-songwriter behind dance hits including Giving Me and collaborations with Belters Only and Sonny Fodera, joins forces here with East End Dubs, a leading figure in the UK’s minimal tech-house scene who emerged from East London’s underground in the early 2010s. The result is a real statement for both the musicians and Erik He; a stripped-back but striking visual world that lets the track’s hypnotic energy do the talking.