Fa & Fon direct the bold, high-energy music video for Work, by new Indonesian girl group, no na.An ode to the vibrancy of island life, it's a choreography-driven video that exudes pure style and attitude, perfectly complementing the upbeat nature of the track.Infused with seamless transitions, breakneck camerawork and a singular sense of style, it's a very confident step into mainstream pop by the sister directors.

Norman Cook aka Fatboy Slim's mash-up of his own Rockefeller Skank and The Rolling Stones' classic Satisfaction has been a staple of his live shows since around 1999. And 'one of the world's most bootlegged recordings', has finally been officially released, with an all-AI music video created by Tom Furse that places Norman and a young Mick Jagger and Keith Richards in a fantasy mid-60s LA nightclub.Furse's video for Satisfaction Skank is a dizzying array of imagery to draw the two eras together; bringing to life the 'fatboy' character from the You've Come A Long Way Baby album artwork; giving Mick and Keef the joyful abandon of Nineties club kids and wearing the same outfit as Norman in the original Rockefeller Skank video.John Hassay, video commissioner for Fatboy Slim since the late Nineties, says it was a fairly easy decision to take the AI route considering the heritage of the artists involved and history surrounding the original tracks."Ai is at it’s best imagining things we’d have loved to actually happen and I don’t think there’s a better way of putting this one off band together," says Hassay, who also commissioned the AI-driven video for The Darkness's Rock 'N Roll Party Cowboy earlier this year. "The dream was to have a prime time Norman spinning with Mick and Keef at Whisky Mist in 1965, the year that Satisfaction came out. Tom worked feverishly over the weekend and delivered 60 seconds of what looked very like a finished video. "In pitching terms it’s impossible to ignore things like this. No one can be bothered reading these days. Everyone living on their phones. [They] just want to click play and be blown away. That was very much the case here though there has been a lot of back and forth to make sure we weren’t stepping on any rights holders toes and we drew heavily on a specific archive of reference imagery to keep things clean and legal."Tom has also added a magic all his own. He’s an Ai maven and a very clever chap. Also an absolute pleasure to work with. In commissioning terms this has been very hands on as I knew what we wanted but the director has really made this world his own."

Robyn’s first song in seven years is a big shot of what she does best: pop euphoria and desire on the dancefloor. And Marili Andre and SJ Todd's video for Dopamine captures that by focussing entirely on the artist in full flow. It's an intriguing and uplifting diversion into music by the pair from the fashion world: Marili Andre is a Greek-born, London-based photographer who has worked for leading brands (Louis Vuitton, Miu Miu, Versace, Burberry, etc) and magazines; SJ Todd is founder/creative director of SJT Studio - and art director at AnOther Magazine.

Winning Best Dance/Electronic Video UK at the UKMVAs 2025 last month, the Leon Vynehall video by Alex Takács - fka Young Replicant - is a superb demonstration of the director's vision, method and style. Arguably, its rather miraculous considering the artist is not one to command big music video budgets, because it's movie-quality filmmaking.Takács creates a complete cinematic world for Vynehall's Cruel Love, inviting the viewer to unpack the meaning behind a narrative which establishes a powerful dystopian vision - echoes of Orwell's 1984, with Vynehall retreating to his cell-like apartment, its bleakness combined with elements of technology - before it moves into a more dreamlike state.Characteristic of the director's work, this is a triumph of filmmaking craft, where cinematography by longtime collaborator Dustin Lane, production design by Slow Pulse, VFX and location play a huge role. It marks Takács return to music videos and return to working with Vynehall - he directed the video for Movements (Chapter III) in 2019.A worthy winner at this year's UKMVAs from a director whose work has elevated the medium for the past decade or more.