Poet, model and trans activist Kai-Isaiah Jamal adds music to their achievements as rapper Kissin Teef, accompanied by a vivid portrait of London life directed by Hector Dockrill and shot by Joel Honeywell.In the video for Jungle, Dockrill conjures an all-encompassing scene on a London estate in the realm of Hogarth. Honeywell's camera roams across the location, picking out numerous characters, their activities and interactions, while Jamal comments upon the scene as the narrator, both part of and separate from everything around them."JUNGLE is about the cultural and racial tensions in working class areas in London, its a love letter the to the beauty of the city being a melting pot of culture and reclaims what being British is," comments Isaiah-Jamal. "In response to a viral LBC caller Darren who you hear sampled in the chorus breaks, it is a song about resistance, community and standing fearlessly against racial hatred whilst reflecting on how marginalised communities have built this city into the radiant and alive patchwork it is today."

Director and AI artist Cam Heyes reimagines the Western as a surreal emotional landscape for South Yorkshire singer-songwriter ADMT.Blending live-action footage with striking AI treatments, the video for Come Along follows ADMT as a lone figure wandering deserted streets, caught between the myth of the gunslinger and the reality of heartbreak.Cinematic standoffs, shifting skies, and dreamlike textures transform familiar western tropes into something entirely new. As the song builds, the AI visuals distort and evolve, blurring the line between memory and imagination. The result is a modern cowboy tale - part music video, part digital fever dream - anchored by ADMT’s raw, soulful performance.

A bold, sensual chapter from Amaarae’s Accra-set visual series brought to life by Omar Jones.In the video for the Ghanian-American singer's track S.M.O, Jones crafts a world that celebrates strength and femininity through intimate, slow-burning visuals: a wax buffer on skin, sculpted bodies flexing in the sun, and a lone dancer commanding an open-air gym.Blending high fashion with grounded grit, the director turns S.M.O into a hypnotic portrait of power, pleasure, and control.

Daniel Broadley directs an absorbing promo for Sam Fender's collaboration with Olivia Dean, combining footage of the pair performing on Fender's recent stadium tour, synced to their recorded track. Captured via multiple cameras at the concert at The London Stadium and Fender's 'homecoming' show at St. James's Park in Newcastle, it's a cinematic showcase of live performance, that starts as Sam introduces Olivia to co-perform this song. With sweeping shots of an ecstatic audience and a healthy dose of slow-mo, it's an elevated visual that both encapsulates the tumultuous energy of a Fender gig, and also the tenderness of the song. Lovely work.