Shot on location in Ibiza, the second collaboration between Let's Eat Grandma and Balan Evans reflects the director's current obsession with collage.
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Wouter Stoter captures “a single moment repeated from 18 different angles” in this intriguing video for Kim Janssen.
This is a party where a group of expats gather, and a series of mini-character studies take place as a ball skidding into a swimming pool initiates a growing sense of strangeness.
Following the visual wit of their videos for Boyfriend and Better Sit Down Boy, Brisbane indie-dance crew Confidence Man have released their debut album Confident Music For Confident People, and that coincides with the release of their third video by directors and creatives Schall & Schnabel, with additional direction by Julian Lucas - and it's their most confident collaboration t
A colourful array of lighting, props, and varying frames each contribute to a nostalgic aesthetic of young love, as interpreted by Jake Hargreaves in his video for Drusila.
Hargreaves filmed the band's lead singer George in his flat, and explains that he " "tried to capture the inevitability of lost young love, with a focus on composition and framing as a narrative tool."
Junaid Faiz's pixel animation for the West Country dream-pop outfit Wasuremono homages Street Fighter-era video games - and the players who have been 'left behind', repeatedly stuck on the same level.
A cast of kids take on the role of adults in Beatrice Pegard's video for Matt Simons, and lipsync the lyrics included the much repeated title of the song, We Can Do Better.
The effect is to emphasise the message. And it really is quite understandable why they would think that they can do better.
GIRLI's vibrant rebellious streak strikes again her latest video, directed by ex-Slow Club member-turned director Rebecca Lucy Taylor.
An oblivious boyfriend remains statuesque as the singer wreaks havoc in the bedroom, scrawling slurs across the wall in her signature pink colour, and ripping books and pillows to shreds.