"We're thrown into existence, life bustles around us, we live, it's amazing, and then before we know it it's all gone," says Antony Barkworth-Knight, who's latest video for UK jazz outfit GoGo Penguin is an absorbing account of a man made of stones, who has to struggle through a harsh, bleak, mostly featureless world that has distinct parallels with our own.
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Animation collective Klub Simon - that's Vladimir Mavounia-Kouka, Pierre-Emmanuel Lyet, Dimitri Stankowicz and Thomas Pons - have created a mesmerizing video for Rone, riffing on the themes of science and space with their different styles.
RUFFMERCY deconstructs and repaints Preoccupations' Matt Flegel on Saunton Sands, for the jangle-core of Disarray.
It's gorgeously hypnotic in its ethereal yet trippy rendering of Flegel's walk on the beach, and another superb combination of live action and animation by the man they used to call Russ Murphy.
After tickling the fancies of hipsters for years, postmodern CGI properly hits the mainstream with Elliot Sellers and Erik Ferguson's enjoyably demented trip through Lil Jon, Offset and 2 Chainz's Alive.
Visual artist and animator Marcel Vockrodt has fashioned a beautiful abstracted Arctic forest for German modern composer Jan Roth in an imaginative CGI-based tour de force.
Created by Bojack Horseman supervising director Mike Hollingsworth comes a story inspired an LA urban legend, the Happy Foot/ Sad Foot sign on Sunset Boulevard for YACHT.
Punk veterans Superchunk's 75-second thrash Cloud Of Hate now has a superb video from Japanese artist Taiyo Kimura. It's a barrage of bizarre and vaguely disturbing visual ideas mostly executed in stop frame animation, as frenzied as the song.
Jon Hopkins long-awaited return with Emerald Rush, the first release from the new album Singularity, comes with this fantastic multi-media visual from Elliot Dear and Robert Hunter.