Pixie Lott’s Gravity by Nick Frew
David Knight - 15th Feb 2010
A great video for Pixie and Mercury, and big beauty-glam breakthrough for Nick. "Gravity was about unfussy elegance. I wasn't interested in show-stopping special effects and clever clever post - just simple in camera techniques addressing the concept. So long as Pixie looked stunning I was happy - It was liberating, for once, to put beauty first. "The best part For the red dot set-up, I wanted Pixie stock still, looking utterly sensational. Michelle Kelly did me proud with this massive, feathery, one-off Kristian Aadnevik showpiece. As soon as Pixie appeared wearing it with her black wig, there was a real buzz on set. Karen Alder (make up artist) did an amazing job on Pixie's jewel encrusted eyes - I love the way she works. "Under Eric Maddison's lights, swinging her dress around her, Pixie had the whole crew gathered round the monitor, cooing. It was incredibly satisfying."
A great video for Pixie and Mercury, and big beauty-glam breakthrough for Nick.
A great video for Pixie and Mercury, and big beauty-glam breakthrough for Nick. "Gravity was about unfussy elegance. I wasn't interested in show-stopping special effects and clever clever post - just simple in camera techniques addressing the concept. So long as Pixie looked stunning I was happy - It was liberating, for once, to put beauty first. "The best part For the red dot set-up, I wanted Pixie stock still, looking utterly sensational. Michelle Kelly did me proud with this massive, feathery, one-off Kristian Aadnevik showpiece. As soon as Pixie appeared wearing it with her black wig, there was a real buzz on set. Karen Alder (make up artist) did an amazing job on Pixie's jewel encrusted eyes - I love the way she works. "Under Eric Maddison's lights, swinging her dress around her, Pixie had the whole crew gathered round the monitor, cooing. It was incredibly satisfying."
"Gravity was about unfussy elegance. I wasn't interested in show-stopping special effects and clever clever post - just simple in camera techniques addressing the concept. So long as Pixie looked stunning I was happy - It was liberating, for once, to put beauty first.
A great video for Pixie and Mercury, and big beauty-glam breakthrough for Nick. "Gravity was about unfussy elegance. I wasn't interested in show-stopping special effects and clever clever post - just simple in camera techniques addressing the concept. So long as Pixie looked stunning I was happy - It was liberating, for once, to put beauty first. "The best part For the red dot set-up, I wanted Pixie stock still, looking utterly sensational. Michelle Kelly did me proud with this massive, feathery, one-off Kristian Aadnevik showpiece. As soon as Pixie appeared wearing it with her black wig, there was a real buzz on set. Karen Alder (make up artist) did an amazing job on Pixie's jewel encrusted eyes - I love the way she works. "Under Eric Maddison's lights, swinging her dress around her, Pixie had the whole crew gathered round the monitor, cooing. It was incredibly satisfying."
"The best part For the red dot set-up, I wanted Pixie stock still, looking utterly sensational. Michelle Kelly did me proud with this massive, feathery, one-off Kristian Aadnevik showpiece. As soon as Pixie appeared wearing it with her black wig, there was a real buzz on set. Karen Alder (make up artist) did an amazing job on Pixie's jewel encrusted eyes - I love the way she works.
A great video for Pixie and Mercury, and big beauty-glam breakthrough for Nick. "Gravity was about unfussy elegance. I wasn't interested in show-stopping special effects and clever clever post - just simple in camera techniques addressing the concept. So long as Pixie looked stunning I was happy - It was liberating, for once, to put beauty first. "The best part For the red dot set-up, I wanted Pixie stock still, looking utterly sensational. Michelle Kelly did me proud with this massive, feathery, one-off Kristian Aadnevik showpiece. As soon as Pixie appeared wearing it with her black wig, there was a real buzz on set. Karen Alder (make up artist) did an amazing job on Pixie's jewel encrusted eyes - I love the way she works. "Under Eric Maddison's lights, swinging her dress around her, Pixie had the whole crew gathered round the monitor, cooing. It was incredibly satisfying."
"Under Eric Maddison's lights, swinging her dress around her, Pixie had the whole crew gathered round the monitor, cooing. It was incredibly satisfying."
Watch 'Pixie Lott’s Gravity by Nick Frew' hereDavid Knight - 15th Feb 2010
Credits
Production/Creative
- Director
- Nick Frew
- Producer
- Hannah Chandler
- Production Company
- Flynn Productions
Camera
- Director of Photography
- Eric Maddison
Editorial
- Editor
- M
Commission
- Commissioner
- Dan Curwin
David Knight - 15th Feb 2010