The latest from Promo News

Lars Vaular 'Ung Heit Gateflamme' by Thor Brenne

Director Thor Brenne's video for Norwegian rapper Lars Vaular plays out like an urban performance video with strange flashes of unsettling, dreamlike scenes inside of a shadowy café. He has achieved an aggressive, threatening atmosphere throughout, giving the impression that Vaular could snap at any second... 

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FRIEND and Doomsday share directors in UK and US

London-based production company FRIEND have added several directors of leading US music video production outfit Doomsday Entertainment in the UK to their roster, and have directors from their Europe-based roster repped by Doomsday in the US in return.

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Snoh Aalegra 'Emotional' by Sarah Chatfield

Sarah Chatfield has directed this elegant video to compliment the soulful track Emotional, by Swedish singer Snoh Aalegra.

At the fore is the video's black & white fashion photography aesthetic – heightened by the use of slow-motion and reverse-playback techniques to capture the motion of Aalegra's passion-filled performance.


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Run The Jewels ft Zack de la Rocha 'Close Your Eyes (And Count To F**k)' by AG Rojas

AG Rojas's ambitious and arguably controversial video for Run The Jewels' Close Your Eyes (And Count To Fuck), featuring Zack de la Rocha from Rage Against The Machine, addresses the controversy over American police brutality towards the African American community by imagining it as a one-on-one conflict between two individuals - the white cop and the black citizen.

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Traffic Signs & Jake The Rapper 'Cookie Jar' by Ben & Julia

This ultra zany, glitter art-heavy video for Traffic Signs & Jake The Rapper's track Cookie Jar could only come from the delightfully warped imaginations of eccentric Berlin-based duo Ben & Julia, those art-directors who specialise in all things sparkly, bright coloured, animated and off-beat.

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Martin Luke Brown 'Take Out Of Me' by Blake Claridge

Blake Claridge has directed this promo for Martin Luke Brown performing his song Take Out Of Me in which the singer is cast under an array of light beams.

The video was shot in-studio with some lovely, panel-controlled lighting arrangements – the emphasis placed on getting the best shots to capture Brown's energetic and emotive performance of the track. 

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