Sabrina Carpenter ropes in Colman Domingo to co-star in her latest blockbuster - a Rocky Horror Picture Show-inspired video directed by Bardia Zeinali, and another showcase for Sabrina's considerable comedy actress chops as well for the latest gloriously catchy single from the new album.And it turns out the video for Tears has three endings - at time of publication - as Sabrina finds different ways of getting rid of her nice boyfriend. As says herself (in the first one) Sabrina's giving the people what they want.

Olivia Dean joins ballerinas in rehearsal in the second video directed by Jake Erland for the London singer's new album. The video for Lady Lady is a gentle, considered visual, blending choreography and performance in an intimate, introspective way. With the track's themes of celebrating the universe and the collective strength of women, the concept features Royal Ballet principal dancer Francesca Hayward, and has an overarching message of passing down knowledge and celebrating both individuality and community. A beautiful concept that builds upon Erland and Dean's collective videography with a new aesthetic and vibe.

Directing duo Services Généraux have conceived a modern visual fable for French artist La Fève in which the rapper is portrayed as a post-modern Horseman of the Apocalypse in a masterfully rendered neo-medieval world.Produced by Ocurens - recent winners of Production Company of the Year at the 2025 Berlin MusicVideo Awards - and supported by French film fund CNC, the absorbing, hugely stylish video for NAVRÉ unfolds in scenes that combine cinematic power with a graphic sensibility. From misty plains to a burning castle and Renaissance-inspired bas-reliefs, the video unfolds as a metaphorical fresco, weaving together destruction and renewal. The direction blends medieval and avant-garde aesthetics: armour meets haute couture, natural landscapes merge with CGI creations and a virtual stage. Inspired by classical painting, the visual universe embraces chiaroscuro, faded hues and striking contrasts, turning every frame into a living tableau. It's an apocalyptic allegory and a poetic metaphor for La Fève’s artistic rise. Presented here in the director's cut that stays true to their artistic vision of Services Généraux, it is also the music video directing debut by Services Généraux following their acclaimed work in fashion and advertising.

The first round of judging in most categories at the UK Music Video Awards 2025 must end at 5pm tomorrow (September 3rd). So there is still time for MVAs Jury Members who have yet to deliver their votes in their assigned categories in the Best Video by music genre, Live Video, Low Budget Video, and Technical Achievement categories in the hugely important first round of judging - and are urged to log in to the online judging platform to watch the entries in their assigned category, and vote before the 5pm deadline. Every vote is important in deciding the work that progresses to the second and final round of judging. Jury Members who have not visited the judging platform before should use their email address and a temporary ukmva password to log in.Judging continues beyond the September 3rd deadline on some categories. Judging has now started in the Best Individual and Company categories, which continues until 5pm BST on Monday, September 16th.The second round of judging, where panels meet to discuss the shortlists of work selected in the best video and technical achievement categories begins next Friday, September 4th. And the nominations for the UK Music Video Awards 2025 will be announced at the UKMVAs nominations party, to take place in the last week of September - more details shortly.Then the UK Music Video Awards 2025 ceremony and aftershow will take place at Magazine London on Thursday, October 30th. Information on ticket sales coming shortly.• More the UKMVAs 2025 visit the website.

Jana Diab and director Jim Longden present The Captain & The Crow, a collaborative audiovisual project. After working together on the track - from writing to producing - Jim and Jana decided to expand their vision and create a music video for it.Taking place in a very British environment, the duo showcase their culture and day-to-day lives in a fun and youthful way.With a breezy, raw aesthetic, Longden often appears behind the camera, blurring the line between observer and performer, adding to the eccentric charm of the visual. Contemplative but playful, this film is an ode to simplicity and relationships, and captures everyday surroundings in a uniquely intimate way.

Leilah takes a series of journeys across London by train and tube - her head swathed in bandages - in a trilogy of visualisers by James Ogram for tracks from the singer's debut album Lost The Plot."These three visualisers were made together across two days and whilst they can be consumer separately, I feel like they work best together - each video acting like a different stop at a different station," says James."The films were made very intuitively, on a low-budget. We wanted to experiment with running and gunning with only a Bolex and our ideas. We traversed London back and forth with a few hundred feet of film and captured what we could, before getting moved along."