The latest from Promo News

Video
J. Cole 'ATM' by Scott Lazer & J. Cole

The return of J. Cole with a new album KOD, and a super-entertaining video about the corrosive and corrupting influence of having lots of cash. And this bows with due reverence to the genius of two Nineties music video giants, who are not generally regarded as being immediately obvious bedfellows - Hype Williams and Michel Gondry.

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Video
Chromeo ft DRAM 'Must've Been' by Dugan O'Neal

Chromeo's super-funky dudes Dave 1 and P-Thugg have been getting up to mischief since they were from pint-sized puppies - and just about getting away with it. That's the endearing message from Dugan O'Neal's warm-hearted video for Must've Been.

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Video
Cabot Cove 'Double Time' by Max Lincoln

Max Lincoln is building a reputation as a fine art director working in music video but he is also productive as a director in his own right, and his latest directing project is this video for Cabot Cove - a dreamy romantic fantasy with a darker edge. 

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Video
Randolph ft KSI 'Slow Motion' by RVBBERDUCK

Imagine falling through the front door of a house party whilst on acid... nothing is as it seems in RVBBERDUCK's video for Randolph's Slow Motion, featuring KSI.

And this one comes with an advisory message for epilepsy sufferers, due to relentlessly serious strobing action. So keep those sunglasses handy while watching this one.

 

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Video
Vasili 'All Is Vanity' by Harry Jenkinson

As a car drives around London, a camera captures people as they go about their daily lives. The simple of effective premise makes for a watchable video for Vasili by director/cinematographer Harry Jenkinson.

Shot largely at 200 frames per second, the glimpses into people's lives become frozen in time, like moving still images.

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Video
Moses Sumney 'Quarrel' by Allie Avital

The latest collaboration between Moses Sumney and Allie Avital is an extraordinary work of visual poetry. 

Co-directing a video for the first time, the 7 minute video for Quarrel tells a story rich in symbolism and surreal imagery. It depicts Sumney’s kinship with a horse, and the tragedy that follows a shocking discovery.

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