Award-winning visual artist Juliet Klottrup directs a tender and heartwarming promo for Tom Misch's comeback track Sisters With Me. Filmed in the Yorkshire Dales and the Lake District, the film is a celebration of family and relationships, documenting a series of real-life sisters, siblings and friends. Shot in an documentary fashion, the visual is anchored by portraiture and snapshots of real lives, following the style of Klottrup's previous work, including her photography of rural communities and her short films Travelling Home and Youth Of The Rural North.This is lovely work with Klottrup's humane and sympathetic vision perfectly representing the lyrics and feel of Misch's song.

Samona Olanipekun's video for the second single from Louis Tomlinson's just-released new album features actors James Nelson-Joyce and Kit Reeve in a series of scenarios where emotions are always in flux. In fact, it's impossible to figure out what is really happening and what is the product of Nelson-Joyce's imagination.The video for Imposter follows the path of the pair's relationship, in personal and social situations. The actors' play each scene in various ways, the constant shifting of mood between them, and other family members, is always fluid, never settled and keeps the viewer immersed. It also follows offers a window into that feeling described in the song by Tomlinson - who himself makes an appearance late in the video, and breaks convention by leading the actors in a live rendition of the chorus.Olanipekun's video is part of a campaign for the new Louis Tomlinson album helmed by Untold Studios' Creative Director Phil Lee, who brought his extensive experience in music to deliver pivotal creative moments across the album campaign for How Did I Get Here?, released last month.Lee commissioned Imposter and its predecessor for Lemonade, directed by Emmanuel Adjei. Both films were developed to sit cohesively within the broader album narrative, reinforcing tone, identity, and intent. Lee was also responsible for the strategic creation and reveal of the album title, designing a multi-layered audience journey that unfolded organically across platforms. The title was teased through the integration of WhatThreeWords within fictional reviews seeded through social media, which when discovered and put together would lead fans to physical billboards in global locations, each displaying a single word from the album title.The campaign culminated in the full title and release date reveal, inspired by a traditional hand-painted sign installed on a remote beach in Costa Rica, close to where much of the album was recorded - grounding the global digital trail in a tactile, human moment tied directly to the making of the record.These moments formed a cohesive creative framework that connected music, film, and real-world discovery - underscoring Phil Lee’s role in shaping the narrative and experiential spine of How Did I Get Here?“It was a pleasure to work with Louis, his label and management teams to help implement some key moments in the launch of his third solo studio album," says Phil Lee. "Witnessing first hand how passionate and fanatical his core fanbase is and mobilising them to be part of the launch process was rewarding for everyone.”

The video for Doechii's Anxiety directed by James Mackel scooped he honour for Best Music Video at last night's GRAMMY Awards. At the 2026 GRAMMYS ceremony held in Los Angeles last night (Sunday, February 1st), Anxiety came out ahead of the other nominees for the Best Music Video Award: Sabrina Carpenter's Manchild, directed by Vania Heymann & Gal Muggia; Clipse's So Be It, directed by Hannan Hussain; OK Go's Love, directed by Aaron Duffy, Miguel Espada & Damian Kulash Jr.; and Sade's Young Lion directed by Sophie Muller.In the other visual award category at this year's Grammys, Best Music Film category was won by Music By John Williams, a documentary on the great film music composer directed by Laurent Bouzereau.Best Music Video WINNERAnxietyDoechiiJames Mackel, video director; Pablo Feldman, Jolene Mendes & Sophia Sabella, video producersBest Music Film WINNERMusic By John WilliamsJohn WilliamsLaurent Bouzereau, video director; Sara Bernstein, Laurent Bouzereau, Justin Falvey, Darryl Frank, Brian Grazer, Ron Howard, Meredith Kaulfers, Kathleen Kennedy, Frank Marshall, Steven Spielberg & Justin Wilkes, video producers.​

Thomas James directs a blistering promo for the return of Irish rappers Kneecap. The video for A Liar's Tale is a confrontational, surreal trip through blazing red vignettes, breathless performance and a gritty, textural aesthetic. It's standout work dripping with James' eye for horror-tinged visuals with some stunning imagery - including an eery Zombie Thatcher, decapitations and a intense evocation of Hell. A match made in heaven (or Hell) for director and artist - and an auspicious debut music video from new London-based production company ArtClass. "For me, this needed to be punk, absurd, abrasive and wild," explains James. "An ugly reflection of the world we find ourselves in; utter fucking chaos."We talked around the idea of a ‘carnival of distraction’ - and for me this meant as many ideas as would squeeze into the three minutes, that embody the 2+2=5 hellscape we seem to be surrounded by; a whirlwind of Irish mythology, of satire, of anger; a vehicle for what everyone is witnessing."It’s not often you get to work with a band who have a genuine fire, and a selfless interest in trying to help people. And that for all of us involved, was important."The video became a nightmarish 'fuck you' to the powers that be, with a wry smile and a lubed-up prop selection."

Bruce Springsteen has written a protest song for what is happening right now - so the people of Minneapolis will know that they are not alone.The song draws upon many folk songs before it, but it will undoubtedly stand the test of time. As will the accompanying lyric video by Thom Zimny. It must be heard, watched, shared.

Pau Carreté directs an atmospheric promo for 21 Savage. The video for What Happened To The Streets is a black-and-white triptych, following a figure targeted by gunmen in a dark alley.Boasting a nostalgic energy and haunting, anachronistic visuals, it's a rousing piece that leans all the way into its abstract presentation.