<strong><em>Nick Bentley on the making of the video for Run Toto Run's Catch My Breath</em></strong> "The video was shot over one extremely long day in East Side Studios on the Red One camera. David Wyatt (DoP) did a great job with the very, very limited budget (1k) to create a strong look that followed my original influences/references of The Wizard of Oz and Kenneth Anger's Rabbit Moon, amongst other reference points. "David suggested using Anamorphic lenses but I wasn't keen on using the cinematic aspect ratio as it didn't seem to fit the tone I wanted to give this video idea but did really like the way lights and skin tones work with the suggested lenses so we shot it all 16:9 safe and decided to crop it in post. "Sam Jones did a great edit at Cut and Run before I took it over to Luke at the Mill for a really strong grade."

Nick Bentley on the making of the video for Run Toto Run's Catch My Breath

<strong><em>Nick Bentley on the making of the video for Run Toto Run's Catch My Breath</em></strong> "The video was shot over one extremely long day in East Side Studios on the Red One camera. David Wyatt (DoP) did a great job with the very, very limited budget (1k) to create a strong look that followed my original influences/references of The Wizard of Oz and Kenneth Anger's Rabbit Moon, amongst other reference points. "David suggested using Anamorphic lenses but I wasn't keen on using the cinematic aspect ratio as it didn't seem to fit the tone I wanted to give this video idea but did really like the way lights and skin tones work with the suggested lenses so we shot it all 16:9 safe and decided to crop it in post. "Sam Jones did a great edit at Cut and Run before I took it over to Luke at the Mill for a really strong grade."

"The video was shot over one extremely long day in East Side Studios on the Red One camera. David Wyatt (DoP) did a great job with the very, very limited budget (1k) to create a strong look that followed my original influences/references of The Wizard of Oz and Kenneth Anger's Rabbit Moon, amongst other reference points.

<strong><em>Nick Bentley on the making of the video for Run Toto Run's Catch My Breath</em></strong> "The video was shot over one extremely long day in East Side Studios on the Red One camera. David Wyatt (DoP) did a great job with the very, very limited budget (1k) to create a strong look that followed my original influences/references of The Wizard of Oz and Kenneth Anger's Rabbit Moon, amongst other reference points. "David suggested using Anamorphic lenses but I wasn't keen on using the cinematic aspect ratio as it didn't seem to fit the tone I wanted to give this video idea but did really like the way lights and skin tones work with the suggested lenses so we shot it all 16:9 safe and decided to crop it in post. "Sam Jones did a great edit at Cut and Run before I took it over to Luke at the Mill for a really strong grade."

"David suggested using Anamorphic lenses but I wasn't keen on using the cinematic aspect ratio as it didn't seem to fit the tone I wanted to give this video idea but did really like the way lights and skin tones work with the suggested lenses so we shot it all 16:9 safe and decided to crop it in post.

<strong><em>Nick Bentley on the making of the video for Run Toto Run's Catch My Breath</em></strong> "The video was shot over one extremely long day in East Side Studios on the Red One camera. David Wyatt (DoP) did a great job with the very, very limited budget (1k) to create a strong look that followed my original influences/references of The Wizard of Oz and Kenneth Anger's Rabbit Moon, amongst other reference points. "David suggested using Anamorphic lenses but I wasn't keen on using the cinematic aspect ratio as it didn't seem to fit the tone I wanted to give this video idea but did really like the way lights and skin tones work with the suggested lenses so we shot it all 16:9 safe and decided to crop it in post. "Sam Jones did a great edit at Cut and Run before I took it over to Luke at the Mill for a really strong grade."

"Sam Jones did a great edit at Cut and Run before I took it over to Luke at the Mill for a really strong grade."