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Kap Bambino’s Red Sign by Anthony Dickenson - who's joined Pulse

Kap Bambino’s Red Sign by Anthony Dickenson - who's joined Pulse

David Knight - 25th Feb 2009

Last year Kap Bambino and Anthony Dickenson got together to create a outstandingly visceral audio-visual experience out of the band's live performance for Save.

Last year Kap Bambino and Anthony Dickenson got together to create a outstandingly visceral audio-visual experience out of the band's live performance for <a href="http://www.promonews.tv/2008/04/15/kap-bambinos-save-by-anthony-dickenson/">Save</a>. Now Anthony - recently signed to Pulse Films - has reunited with the band to create a proper music video type-thing which is just another beautiful, multi-sensory, riveting experience, as a result of him playing around with cameras. And whatever physical duress he placed bandmembers Caroline and Orion in making this, at least he set a good example - see below. And if they really didn't end up with much treadmill footage, this is even more impressive. <em><strong>? Shown at BUG 12</strong></em> <strong><em>Anthony Dickenson on making the video for Kap Bambino's Red Sign</em></strong> "I was the first to test the treadmill. I wanted to convince Caroline and Orion from the band that it was safe and easy to use. Bad idea. "I took it to top speed and then attempted to make a smooth and skilful dismount. After a front somersault with the aid of the treadmill to propel me over for a second time I landed with a thud on the studio floor. "I instantly jumped up and looked over to see the horror on their faces. After that not even the four crash mats were going to get them running with confidence. "Not many treadmill shots made it in to the final cut..."

Now Anthony - recently signed to Pulse Films - has reunited with the band to create a proper music video type-thing which is just another beautiful, multi-sensory, riveting experience, as a result of him playing around with cameras.

Last year Kap Bambino and Anthony Dickenson got together to create a outstandingly visceral audio-visual experience out of the band's live performance for <a href="http://www.promonews.tv/2008/04/15/kap-bambinos-save-by-anthony-dickenson/">Save</a>. Now Anthony - recently signed to Pulse Films - has reunited with the band to create a proper music video type-thing which is just another beautiful, multi-sensory, riveting experience, as a result of him playing around with cameras. And whatever physical duress he placed bandmembers Caroline and Orion in making this, at least he set a good example - see below. And if they really didn't end up with much treadmill footage, this is even more impressive. <em><strong>? Shown at BUG 12</strong></em> <strong><em>Anthony Dickenson on making the video for Kap Bambino's Red Sign</em></strong> "I was the first to test the treadmill. I wanted to convince Caroline and Orion from the band that it was safe and easy to use. Bad idea. "I took it to top speed and then attempted to make a smooth and skilful dismount. After a front somersault with the aid of the treadmill to propel me over for a second time I landed with a thud on the studio floor. "I instantly jumped up and looked over to see the horror on their faces. After that not even the four crash mats were going to get them running with confidence. "Not many treadmill shots made it in to the final cut..."

And whatever physical duress he placed bandmembers Caroline and Orion in making this, at least he set a good example - see below. And if they really didn't end up with much treadmill footage, this is even more impressive.

Last year Kap Bambino and Anthony Dickenson got together to create a outstandingly visceral audio-visual experience out of the band's live performance for <a href="http://www.promonews.tv/2008/04/15/kap-bambinos-save-by-anthony-dickenson/">Save</a>. Now Anthony - recently signed to Pulse Films - has reunited with the band to create a proper music video type-thing which is just another beautiful, multi-sensory, riveting experience, as a result of him playing around with cameras. And whatever physical duress he placed bandmembers Caroline and Orion in making this, at least he set a good example - see below. And if they really didn't end up with much treadmill footage, this is even more impressive. <em><strong>? Shown at BUG 12</strong></em> <strong><em>Anthony Dickenson on making the video for Kap Bambino's Red Sign</em></strong> "I was the first to test the treadmill. I wanted to convince Caroline and Orion from the band that it was safe and easy to use. Bad idea. "I took it to top speed and then attempted to make a smooth and skilful dismount. After a front somersault with the aid of the treadmill to propel me over for a second time I landed with a thud on the studio floor. "I instantly jumped up and looked over to see the horror on their faces. After that not even the four crash mats were going to get them running with confidence. "Not many treadmill shots made it in to the final cut..."

? Shown at BUG 12

Last year Kap Bambino and Anthony Dickenson got together to create a outstandingly visceral audio-visual experience out of the band's live performance for <a href="http://www.promonews.tv/2008/04/15/kap-bambinos-save-by-anthony-dickenson/">Save</a>. Now Anthony - recently signed to Pulse Films - has reunited with the band to create a proper music video type-thing which is just another beautiful, multi-sensory, riveting experience, as a result of him playing around with cameras. And whatever physical duress he placed bandmembers Caroline and Orion in making this, at least he set a good example - see below. And if they really didn't end up with much treadmill footage, this is even more impressive. <em><strong>? Shown at BUG 12</strong></em> <strong><em>Anthony Dickenson on making the video for Kap Bambino's Red Sign</em></strong> "I was the first to test the treadmill. I wanted to convince Caroline and Orion from the band that it was safe and easy to use. Bad idea. "I took it to top speed and then attempted to make a smooth and skilful dismount. After a front somersault with the aid of the treadmill to propel me over for a second time I landed with a thud on the studio floor. "I instantly jumped up and looked over to see the horror on their faces. After that not even the four crash mats were going to get them running with confidence. "Not many treadmill shots made it in to the final cut..."

Anthony Dickenson on making the video for Kap Bambino's Red Sign

Last year Kap Bambino and Anthony Dickenson got together to create a outstandingly visceral audio-visual experience out of the band's live performance for <a href="http://www.promonews.tv/2008/04/15/kap-bambinos-save-by-anthony-dickenson/">Save</a>. Now Anthony - recently signed to Pulse Films - has reunited with the band to create a proper music video type-thing which is just another beautiful, multi-sensory, riveting experience, as a result of him playing around with cameras. And whatever physical duress he placed bandmembers Caroline and Orion in making this, at least he set a good example - see below. And if they really didn't end up with much treadmill footage, this is even more impressive. <em><strong>? Shown at BUG 12</strong></em> <strong><em>Anthony Dickenson on making the video for Kap Bambino's Red Sign</em></strong> "I was the first to test the treadmill. I wanted to convince Caroline and Orion from the band that it was safe and easy to use. Bad idea. "I took it to top speed and then attempted to make a smooth and skilful dismount. After a front somersault with the aid of the treadmill to propel me over for a second time I landed with a thud on the studio floor. "I instantly jumped up and looked over to see the horror on their faces. After that not even the four crash mats were going to get them running with confidence. "Not many treadmill shots made it in to the final cut..."

"I was the first to test the treadmill. I wanted to convince Caroline and Orion from the band that it was safe and easy to use. Bad idea.

Last year Kap Bambino and Anthony Dickenson got together to create a outstandingly visceral audio-visual experience out of the band's live performance for <a href="http://www.promonews.tv/2008/04/15/kap-bambinos-save-by-anthony-dickenson/">Save</a>. Now Anthony - recently signed to Pulse Films - has reunited with the band to create a proper music video type-thing which is just another beautiful, multi-sensory, riveting experience, as a result of him playing around with cameras. And whatever physical duress he placed bandmembers Caroline and Orion in making this, at least he set a good example - see below. And if they really didn't end up with much treadmill footage, this is even more impressive. <em><strong>? Shown at BUG 12</strong></em> <strong><em>Anthony Dickenson on making the video for Kap Bambino's Red Sign</em></strong> "I was the first to test the treadmill. I wanted to convince Caroline and Orion from the band that it was safe and easy to use. Bad idea. "I took it to top speed and then attempted to make a smooth and skilful dismount. After a front somersault with the aid of the treadmill to propel me over for a second time I landed with a thud on the studio floor. "I instantly jumped up and looked over to see the horror on their faces. After that not even the four crash mats were going to get them running with confidence. "Not many treadmill shots made it in to the final cut..."

"I took it to top speed and then attempted to make a smooth and skilful dismount. After a front somersault with the aid of the treadmill to propel me over for a second time I landed with a thud on the studio floor.

Last year Kap Bambino and Anthony Dickenson got together to create a outstandingly visceral audio-visual experience out of the band's live performance for <a href="http://www.promonews.tv/2008/04/15/kap-bambinos-save-by-anthony-dickenson/">Save</a>. Now Anthony - recently signed to Pulse Films - has reunited with the band to create a proper music video type-thing which is just another beautiful, multi-sensory, riveting experience, as a result of him playing around with cameras. And whatever physical duress he placed bandmembers Caroline and Orion in making this, at least he set a good example - see below. And if they really didn't end up with much treadmill footage, this is even more impressive. <em><strong>? Shown at BUG 12</strong></em> <strong><em>Anthony Dickenson on making the video for Kap Bambino's Red Sign</em></strong> "I was the first to test the treadmill. I wanted to convince Caroline and Orion from the band that it was safe and easy to use. Bad idea. "I took it to top speed and then attempted to make a smooth and skilful dismount. After a front somersault with the aid of the treadmill to propel me over for a second time I landed with a thud on the studio floor. "I instantly jumped up and looked over to see the horror on their faces. After that not even the four crash mats were going to get them running with confidence. "Not many treadmill shots made it in to the final cut..."

"I instantly jumped up and looked over to see the horror on their faces. After that not even the four crash mats were going to get them running with confidence.

Last year Kap Bambino and Anthony Dickenson got together to create a outstandingly visceral audio-visual experience out of the band's live performance for <a href="http://www.promonews.tv/2008/04/15/kap-bambinos-save-by-anthony-dickenson/">Save</a>. Now Anthony - recently signed to Pulse Films - has reunited with the band to create a proper music video type-thing which is just another beautiful, multi-sensory, riveting experience, as a result of him playing around with cameras. And whatever physical duress he placed bandmembers Caroline and Orion in making this, at least he set a good example - see below. And if they really didn't end up with much treadmill footage, this is even more impressive. <em><strong>? Shown at BUG 12</strong></em> <strong><em>Anthony Dickenson on making the video for Kap Bambino's Red Sign</em></strong> "I was the first to test the treadmill. I wanted to convince Caroline and Orion from the band that it was safe and easy to use. Bad idea. "I took it to top speed and then attempted to make a smooth and skilful dismount. After a front somersault with the aid of the treadmill to propel me over for a second time I landed with a thud on the studio floor. "I instantly jumped up and looked over to see the horror on their faces. After that not even the four crash mats were going to get them running with confidence. "Not many treadmill shots made it in to the final cut..."

"Not many treadmill shots made it in to the final cut..."

David Knight - 25th Feb 2009

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