A compelling full-performance video for the heavy riffing psych-rock outfit Glitter Machine by Mark Lediard, who captures the band on a prowling camera rotating around them.
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Bea Miller's big performance of I Wanna Know - her collaboration with NOTD - becomes a real showstopper in Michael Baldwin's impressive video.
Ivana Bobic's latest video for Sigrid is an ode to friendship in a Spielberg world.
Jeremi Durand's powerful video for French rapper Keny Arkana imagines a near-future society at breaking point.
Referencing the sentiment of wilful blinkeredness when the world around you is going to hell – as expressed in Paul Misraki’s 1935 song from which it takes its title - Arkana's Madame la Marquise calls out modern society’s indifference to the destructive path we’re on.
Rafe brings a retro English sci-fi vibe to his video for indie-pop outfit OUTLYA.
In the video for White Light, a group of young people are separately affected by the transmissions by the band, recording from a remote and mysterious building. Intense zooms, subliminal editing, and glitches build that sense of edgy mystery to proceedings.
The Arctic Monkeys have stuck their necks out to make their new album Tranquility Base Hotel + Casino a proper concept album. The first video, directed by Ben Chappell and Aaron Brown, is entirely of a conceptual piece with that ambitious plan.
Chris Turner (aka Favourite Colour: Black) keeps it simple, powerful and genuinely lo-fi for Esya - that's the solo project of Ayse Hassan of Savages.
A single set-up covers Hassan's performance with an edit dictated by the fallout from shooting on a VHS camera onto an analogue TV. It's a video portrait, as stark and atmospheric as Hassan's uncompromising music.
Joe Connor has directed a classic pop video for Sam Smith's Pray, filmed in one of the most spectacular locations seen in a music video for a long time.