Performance

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Idles 'Great' by Theo Watkins

16/08/2018

Idles 'Great' by Theo Watkins

Theo Watkins's video for Idles explores a certain type of classic British nostalgia.

Shot in various locations in a sun-drenched Bristol, and partly on Super 16mm, Watkins says: "It had to look like an old seaside postcard, smell like a fry-up and taste like your fourth pint of mild on a balmy afternoon." Job done.

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Blossom Caldarone 'Life Again' by Lily Rose Thomas

14/08/2018

Blossom Caldarone 'Life Again' by Lily Rose Thomas

Blossom Calderone wrote her breezy and whimsical Life Again after an everyday conversation with her grandmother about the reality of growing old. Lily Rose Thomas's accompanying video focusses on the relationship between young and old and the understanding and friendship than can exist between them.

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Bloody Knees 'Spinning' by Samuel Taylor

13/08/2018

Bloody Knees 'Spinning' by Samuel Taylor

Samuel Taylor delivers an adrenalin-fuelled white-knuckle performance video for Bloody Knees, capturing the experience of one of the band's high energy, high intensity, seriously sweaty live shows, and puting his own spin on things in the process. 

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Daya 'Safe' by Sophia Ray

09/08/2018

Daya 'Safe' by Sophia Ray

Sophia Ray's video for Daya plays on the idea of Safe, by creating a series of apparently safe and comforting spaces.

But there's a darkness behind the colour, and Ray and Daya develop a tension between the worlds she inhabits and the message of the song.

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Dead Naked Hippies 'Guillotine' by James Arden

08/08/2018

Dead Naked Hippies 'Guillotine' by James Arden

James Arden’s video for Dead Naked Hippies’ Guillotine explores the singer's battle with mental health: shadows and blinding lights form symbolic imagery surrounding the band's performance, depicting the frontwoman's struggle against inner demons.

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D.A.N 'Think About Me ' by Jacob Hopewell

07/08/2018

D.A.N 'Think About Me ' by Jacob Hopewell

Jacob Hopewell's video for D.A.N's Think About Me is a compelling performance piece, shot on black and white 16mm film. 

Hopewell emphasises the heavy contrast between light and dark, the visual motifs of dried roses and chains insinuating a subtle narrative in addition to its predominantly performance-based purpose.  

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