An impressed Brendan McNamee approached anti-folk star Emmy after a gig and offered to make her a video. Then he shot it on two rolls of recanned film - one was labelled wrong (it was 50 Daylight film, not 500T as labelled), and the other inexplicably fogged.

An impressed Brendan McNamee approached anti-folk star Emmy after a gig and offered to make her a video. Then he shot it on two rolls of recanned film - one was labelled wrong (it was 50 Daylight film, not 500T as labelled), and the other inexplicably fogged. "So what I wanted to be a very simple in camera and edit turned into a rescue op," says Brendan. Well, he's done a highly effective salvage job. This is sweet and tender, with some handy effects work to boot. Meanwhile Emmy will be charming the masses this week at SXSW, and in a UK artists showcase at the Bowery Ballroom in New York tonight. That's our gig of the day, live fans.

"So what I wanted to be a very simple in camera and edit turned into a rescue op," says Brendan. Well, he's done a highly effective salvage job. This is sweet and tender, with some handy effects work to boot.

An impressed Brendan McNamee approached anti-folk star Emmy after a gig and offered to make her a video. Then he shot it on two rolls of recanned film - one was labelled wrong (it was 50 Daylight film, not 500T as labelled), and the other inexplicably fogged. "So what I wanted to be a very simple in camera and edit turned into a rescue op," says Brendan. Well, he's done a highly effective salvage job. This is sweet and tender, with some handy effects work to boot. Meanwhile Emmy will be charming the masses this week at SXSW, and in a UK artists showcase at the Bowery Ballroom in New York tonight. That's our gig of the day, live fans.

Meanwhile Emmy will be charming the masses this week at SXSW, and in a UK artists showcase at the Bowery Ballroom in New York tonight. That's our gig of the day, live fans.

An impressed Brendan McNamee approached anti-folk star Emmy after a gig and offered to make her a video. Then he shot it on two rolls of recanned film - one was labelled wrong (it was 50 Daylight film, not 500T as labelled), and the other inexplicably fogged. "So what I wanted to be a very simple in camera and edit turned into a rescue op," says Brendan. Well, he's done a highly effective salvage job. This is sweet and tender, with some handy effects work to boot. Meanwhile Emmy will be charming the masses this week at SXSW, and in a UK artists showcase at the Bowery Ballroom in New York tonight. That's our gig of the day, live fans.